Anak Kembar Tanpa Pil Clomid








Clomid adalah berbentuk pil menjadikan ia amat mudah diambil, murah dan berkesan dalam merangsang ovulasi. Clomid diambil oleh wanita yang sukar hamil terutamanya kepada pesakit yang berkait rapat dengan masalah ovulasi seperti PCOS dan juga kes di mana punca kesukaran untuk hamil tidak diketahui. Di samping itu, Clomid juga digunakan sebagai ubat perangsang untuk prosedur IUI (intrauterine insemination). Clomid bertindak dengan menggalakan pembentukan dan pertumbuhan foliker dalam ovari dengan harapan telur menjadi matang dan seterusnya akan berlakulah ovulasi.

Dos yang paling minima adalah 50mg sehari diambil selama 5 hari berturut2 iaitu pada hari ke 2 atau 3 sehingga hari ke 6 atau 7 kitaran haid seseorang wanita. Walaubagaimanapun doktor mungkin mempunyai protokol yang berbeza bagi seseorang wanita kerana reaksi pesakit terhadap Clomid berbeza di antara seorang dengan yang lain. 

Jika 50mg tidak efektif, doktor mungkin akan meningkatkan dos Clomid pada kitaran haid yang seterusnya sehingga dos maksima iaitu 200 mg sehari sekiranya seseorang wanita itu masih tidak responsif. Kesan2 sampingan dengan pengambilan Clomid kebanyakannya agak ringan iaitu kepanasan, perubahan emosi dan rasa loya. Ia akan hilang dengan segera sebaik sahaja dihentikan pengambilannya. Begitu juga dengan risiko untuk mendapatkan anak kembar tidaklah tinggi iaitu kurang dari 10%.


Terdapat kesan sampingan yang kurang baik iaitu Clomid boleh mengurangkan kualiti mukus serviks. Keadaan ini menjadikan ia lebih pekat dan boleh menyukarkan laluan kepada sperma untuk memasuki rahim. Terdapat juga kes di mana ia juga boleh menyebabkan lapisan rahim nipis dan kurang sesuai untuk implantasi. Walaubagaimanapun ia cuma terjadi kepada sesetengah wanita sahaja. 

Hasil kajian menunjukkan Clomid telah merangsang ovulasi sebanyak 80% daripada pesakit dan dianggarkan 40% daripada wanita yang menggunakan Clomid akan hamil dalam tempoh enam kitaran haid. 

Penggunaan Clomid untuk lebih daripada 6 kitaran adalah tidak digalakkan. Ini kerana kadar kehamilan yang menurun secara mendadak selepas 4 kitaran.

sumber : bubblynotes



Cukai Selebriti Cantik







Baru-baru ini seorang selebiriti wanita Malaysia telah menyuarakan hasrat agar Kerajaan dapat memberikan pelepasan cukai berkaitan aspek penampilan diri kepada golongan selebriti di Malaysia.
Cadangan selebriti ini telah menerima pelbagai pandangan, ada yang membantah dan ada yang menyokong. Namun, kita melihat bagaimana selebriti kita sebenarnya cuba memperjuangkan hak mereka, walaupun hak yang disuarakan oleh selebriti berkenaan cukup remeh dan tidak setimpal.
Keadaan ini jelas berbeza pada sekitar tahun 1950an dahulu apabila golongan seniman di Malaysia berjuang bukan untuk hal-hal remeh seperti ini, tetapi perjuangan mereka adalah soal hidup dan mati, soal makan dan kelaparan, soal kelangsungan hidup! Lebih hebat apabila tuntutan mereka tidak didengari, golongan Seniman ini akan melancarkan mogok!
Mogok merupakan kaedah yang sering digunakan golongan pekerja untuk menuntut hak-hak yang disifatkan setimpal oleh mereka berdasarkan kepada kerja-kerja yang telah dilakukan. Mogok dalam istilah mudah seperti yang ditunjukkan di dalam Kamus Dewan Edisi Keempat membawa makna tidak mahu bekerja. Kebiasannya mogok ini digerakkan secara bersama-sama dan melalui tindakan organisasi.

Kemunculan kesatuan sekerja di Tanah Melayu bermula sekitar tahun 1900 dan di antara mogok terawal yang pernah berlaku adalah sekitar tahun 1930an yang kemudian melahirkan gerakan buruh yang lebih besar termasuk penubuhan Pan Malayan Federation of Trade Union.
Penyusupan ideologi sosialisme sebenarnya merancakkan lagi senario perjuangan golongan pekerja khususnya di Tanah Melayu. Kemunculan gerakan buruh ini bukan sahaja berlaku di kilang-kilang yang menjana perusahaan komoditi, tetapi turut dirasai kesannya dalam industri perfileman Melayu klasik.
Hal gerakan buruh dan mogok dalam industri filem Melayu khususnya di Malay Film Production adalah berkisar kepada soal kebajikan pekerja filem termasuk krew teknikal, pengarah dan pelakon sendiri. Hal-hal kebajikan ini termasuklah soal gaji, suasana kerja dan faedah-faedah lain yang difikirkan wajar diperolehi mereka. Menurut Hamzah Hussin dalam Memoir Hamzah Hussin: Dari Keris Filem Ke Studio Merdeka (Penerbit Universiti Kebangsaan Malaysia, Bangi, 2004) telah menyebut mengenai penubuhan Persatuan Artis Malaya (PERSAMA) pada 20 April 1954.
Menurut Hamzah, PERSAMA mempunyai undang-undang tubuh sebagai sebuah kesatuan buruh dan Persatuan ini melihatkan P.Ramlee menjadi perintis awal dan Salleh Ghani dilantik sebagai Setiausaha Agung. Objektif utama penubuhan PERSAMA ini ialah untuk menentang penindasan dan penekanan majikan terhadap pelakon dan pekerja filem. Ini jelas melihatkan bahawa pekerja-pekerja industri filem turut berdepan isu yang sama dihadapi oleh kelompok pekerja biasa yang membanting tulang di kilang-kilang dan ladang-ladang.
Pengabaian kebajikan dan soal penindasan mula muncul sekitar tahun 1950an dan akhbar The Singapore Free Press pada 10 Mac 1955 telah melaporkan mengenai enam orang Penolong Pengarah filem yang memaklumkan mereka telah dibayar dengan gaji yang tidak setimpal dan rendah.
Keenam-enam mereka yang berkhidmat di Malay Filem Production bagaimanapun tidak dinamakan di dalam laporan akhbar berkenaan. Menurut akhbar berkenaan mereka hanya menerima gaji bulanan maksimum sebanyak $210 dan paling rendah ialah $180. Mereka juga dilaporkan hanya menerima bonus bulanan sebanyak $50.
Sebagai respons kepada bayaran rendah berkenaan mereka menuntut agar diberikan kenaikan gaji sehingga 25 peratus dan bonus dinaikkan kepada $200. Menurut mereka gaji yang setimpal amat perlu memandangkan mereka perlu membantu pengarah melaksanakan kerja-kerja penggambaran, suntingan, rakaman semula dan sebagainya.
Mogok besar-besaran dalam industri filem Melayu berlaku di Malay Film Production pada sekitar Mac 1957. Menurut akhbar The Straits Times bertarikh 4 Mac 1957 langkah berkenaan diambil oleh PERSAMA selepas pihak Shaw Brothers memecat aktres Musalmah Nooralim, pelakon dan pengarah Omar Rojik dan penolong pengarah, Rohaizat yang juga merupakan Naib Presiden PERSAMA.
Menurut Salleh Ghani seperti dipetik akhbar berkenaan pemecatan berkenaan berlaku selepas PERSAMA membuat keputusan dalam satu mesyuarat untuk meminta pihak pengurusan Malay Film Production memberikan gaji yang lebih baik dan bonus yang lebih tinggi.
Menurut Salleh Ghani dalam laporan akhbar berkenaan, pihak PERSAMA telah selesai mendraf skala gaji untuk pelbagai kategori pekerja di studio yang akan melihatkan struktur gaji lebih baik bakal memberi manfaat kepada semua pekerja. Selain itu, ketiga-tiga mereka yang dipecat juga merupakan individu yang aktif di dalam PERSAMA dan dilihat boleh menggugat pihak majikan.
Selepas beberapa hari dua lagi pekerja filem menerima nasib yang sama dan turut dipecat. Kedua-duanya ialah Syed Hassan Al-Sahab dan S. Kadarisman. Pihak Shaw Brothers menganggap kelima-lima pekerja filem berkenaan dipecat kerana kerja mereka tidak memuaskan hati dan dilihat cuba melawan majikan. Sehubungan itu, desakan untuk mengambil semula mereka tidak akan dilayan.
Rohaizat seperti dipetik dalam akhbat The Straits Times bertarikh 7 Mac 1957 memaklumkan bahawa PERSAMA telah memutuskan untuk mengadakan mogok pada 16 Mac 1957, jika tuntutan mereka untuk menarik semula pemecatan kelima-lima pekerja filem berkenaan tidak diendahkan oleh pihak Studio.
Menurut Rohaizat, 120 pekerja filem termasuk penolong pengarah, juruteknik, kru dan penulis lagu akan terlibat dalam mogok berkenaan. Namun, pekerja-pekerja kontrak tidak akan mengambil bahagian.
Ketika Tanah Melayu sedang sibuk menguruskan kemerdekaannya, delegasi PERSAMA yang diketuai P.Ramlee telah bertemu dengan Ketua Menteri Tanah Melayu, Tunku Abdul Rahman untuk meminta beliau campurtangan dalam penyelesaian pertikaian di antara pihak PERSAMA dan Shaw Brothers. Perkara ini telah dilaporkan oleh akhbar The Straits Times pada 14 Mac 1957.

Delegasi berkenaan telah memberitahu Tunku bahawa lima rakan mereka telah dipecat dan pihak Studio enggan membuka sebarang pintu rundingan. Dalam pertemuan berkenaan Tunku telah menasihati pihak PERSAMA agar tidak melakukan apa-apa tindakan yang dilihat ekstrem dan meminta supaya jalan rundingan dibuat. Namun begitu, PERSAMA tetap bertegas untuk meneruskan mogok jika tiada sebarang tindakan penyelesaian dapat dipersetujui.
Pihak Shaw Brothers ternyata tidak senang dengan tindakan PERSAMA dan mereka telah mengeluarkan amaran kepada mana-mana pekerja filem yang terlibat dengan mogok yang dijadualkan pada 16 Mac 1957 akan dipecat serta-merta. Pertikaian ini juga mendapat perhatian Jabatan Buruh dan kedua-dua pihak telah dijemput untuk mengadakan rundingan secara terbuka, namun pada peringkat awal rundingan berkenaan menemui jalan buntu.
Sebagai memperhebat lagi usaha untuk meneruskan mogok, PERSAMA telah merancang untuk mengadakan Majlis persembahan selama dua malam yang dikenali sebagai ‘Malam Suka Duka’ di Stadium Happy World. Seramai 23 pelakon termasuk P.Ramlee terlibat dalam persembahan berkenaan. Majlis ini bertujuan untuk mengutip dana bagi melancarkan mogok yang telah dijadualkan sebelum ini.
Seperti yang telah dirancang dan disebabkan segala rundingan menemui kegagalan maka PERSAMA telah melancarkan mogok di Malay Film Production. Mogok ini melibatkan 120 pekerja filem. Susulan daripada mogok berkenaan, pihak Shaw Brothers melalui jurucakapnya T.K. Lee meminta untuk semua pekerja filem memberikan kerjasama penuh kepada pihak Studio.
Menurut T.K. Lee, syarikat mengalami kerugian saban tahun kerana proses pembikinan filem melalui suasana sukar kerana kos produksi yang tinggi dan gaji yang dibayar kepada semua pekerja termasuk pelakon mencecah $36,000. Kos berkenaan tidak termasuk bayaran kerja lebih masa dan bonus.
Pihak Shaw Brothers menganggap walaupun gaji yang diberikan mencukupi, namun jumlah filem yang berjaya diterbitkan pada tahun 1956 adalah rendah dan pihak Shaw Brothers menganggap perkara ini terjadi kerana pekerja-pekerjanya tidak bekerja dengan cukup dedikasi. Pihak Shaw Brothers juga menganggap pihak pekerja seperti tidak mahu mendengar masalah yang dihadapi pihak Studio.
Pihak Shaw Brothers juga dilihat cuba mengheret kerajaan untuk turut bersama-sama dalam kancah pertikaiannya dengan pekerja sendiri. Seperti dilaporkan akhbar The Straits Times pada 21 Mac 1957, Malay Film Production yang terkesan akibat mogok yang dilancarkan PERSAMA, dilihat cuba menarik simpati kerajaan apabila menyebut agak sukar untuk industri filem Melayu terus berdiri teguh, kecuali pihak kerajaan dapat memberikan subsidi untuk membantu studio-studio filem.
Sepanjang mogok berlangsung, proses rundingan tetap berjalan dan akhirnya Tunku Abdul Rahman bersetuju menghantar wakilnya, Senu Abdul Rahman untuk berbincang dengan pihak pekerja dan majikan dan mencari jalan penyelesaian. Akhirnya setelah 23 hari bermogok, PERSAMA bersetuju untuk menghentikan mogok dan mencari jalan damai dengan majikan mereka. Usaha wakil Tunku sememangnya dihargai oleh kedua-dua pihak.
Salleh Ghani mengucapkan terima kasih di atas kerjasama dan inisiatif yang diambil oleh Senu Abdul Rahman dalam menyelesaikan pertikaian ini. Senu dalam laporannya kepada Tunku, turut menganggap pemilik Malay Film Production, Run Run Shaw sebagai seorang yang ikhlas dan memberi kerjasama penuh untuk mengatasi masalah mogok ini.
Dalam persetujuan yang dicapai, Run Run Shaw bersetuju untuk mengambil semula lima pekerja filem yang dipecat dan beliau menggesa mereka untuk mematuhi peraturan yang telah ditetapkan oleh pihak studio. Beliau juga memutuskan untuk menamatkan kerja lebih masa dan semua pekerja filem termasuk pelakon perlu melapor diri tempat pada masa.
Selepas persetujuan dicapai, pihak PERSAMA juga memberi jaminan akan terus menghasilkan lebih banyak filem yang bermutu pada masa akan datang.
Isu pergeseran di antara pekerja filem dan pengurusan studio Malay Film Production tidak berakhir di situ malah ketidakpuasan hati itu sentiasa ada dan terus berlarutan. Pada tahun 1963 misalnya, sekumpulan pekerja filem di Malay Film Production menuntut pihak studio memberikan perhatian kepada taraf hidup mereka yang disifatkan tidak berada dalam keadaan baik.
Pekerja filem telah mengadakan pertemuan dengan Kesatuan Pekerja-Pekerja Umum Singapura dan mahukan satu perjanjian diadakan di antara pihak majikan mereka dan Kesatuan. Langkah ini diambil bagi memastikan hak-hak pekerja filem sentiasa terpelihara.
Tahun 1963 juga melihatkan pergeseran pekerja dan majikan kembali hangat dengan insiden ugutan Haji Mahadi bahawa para seniman di Malay Film Production akan mengoyakkan kontrak mereka jika pihak Shaw Brothers masih gagal untuk memelihara hak dan kepentingan seniman. Pergeseran ini juga menyebabkan penggambaran beberapa buah filem terjejas termasuk Darah Muda arahan Jamil Sulong.
Namun begitu, pergeseran ini tetap dapat diselesaikan melalui jalan perjanjian. Walaupun segala-galanya nampak seperti dapat diselesaikan, namun hal-hal berkaitan penindasan ini terus berbangkit sehingga studio Malay Film Production ditutup pada tahun 1967. Soal tuntutan pekerja filem ini dilihat seperti tidak dapat menemui penyelesaian yang jujur, walaupun beberapa siri perjanjian telah dimuktamadkan.
Penutupan studio dan kegagalan majikan memenuhi hak serta keperluan pekerja filem merupakan tragedi yang sebenarnya memberikan kesan besar terhadap perkembangan dunia perfileman Melayu.
Lihatlah bagaimana Seniman dahulu menegakkan hak dan kelangsungan hidup mereka. Mereka melawan, walaupun mereka tahu sukar untuk menang. Hal berlawan golongan seniman ini bukan untuk mendapatkan hak membeli alat solek pada harga yang rendah, hal berlawan mereka adalah untuk mendapatkan bayaran yang setimpal untuk kerja seni mereka yang telah diusahakan dengan penuh semangat.
Seniman bukan sahaja melawan dengan bermogok, seniman juga melawan dengan medium yang arif bagi mereka. P.Ramlee misalnya memaparkan hal melawan penindasan terhadap seniman di dalam filem agung beliau berjudul Seniman Bujang Lapok.
P.Ramlee membuktikan bahawa beliau ialah seniman yang sejati, seniman yang melawan penindasan dan kebobrokan yang berlaku dalam industri perfileman melalui filem.
Inilah kelebihan P.Ramlee, halus dalam kritikan terhadap apa yang berlaku di sekeliling beliau. P.Ramlee memberikan kita contoh terbaik, seseorang seniman itu perlu peka terhadap apa yang terjadi di sekelilingnya dan seniman wajar menggambarkan hasil kepekaan ini dalam karya-karya mereka. Seniman tidak wajar menjauhkan diri daripada masyarakat dan masalah-masalah yang dihadapi masyarakat
Seniman Bujang Lapok memaparkan realiti kehidupan seniman pada ketika itu. Seniman tinggal di dalam bilik sahaja dan bukannya rumah mewah, seniman hanya menggunakan beca dan basikal bukannya kereta atau motosikal, seniman terpaksa meminjam duit untuk berkahwin, seniman tiada duit yang cukup untuk makan tengahari dan makan malam dan seniman terpaksa beratur untuk membuang air besar. Pemaparan sebegini merupakan kepahitan kehidupan seniman yang dijelmakan kesan daripada pendapatan yang rendah dan hak-hak yang tidak terpelihara dengan baik. Seniman Bujang Lapok ialah protes, mogok dan lawan yang diaturkan untuk melawan penindasan pekerja filem melalui filem.
Seniman itu harus berani dalam tindaknya, bercakap hal-hal realiti dan memadam angan-angan palsu. Perjuangan seniman itu jangan dipagari dengan hal-hal remeh yang menyakitkan hati rakyat membacanya.

DANIYAL KADIR


Kronologi gurauan 'bom' di lapangan terbang tempatan








Kronologi gurauan 'bom' di lapangan terbang tempatan

Ogos 17, 2016 RABU

Lapangan Terbang Antarabangsa Sultan Abdul Aziz Shah Subang juga pernah menerima ancaman bom palsu sehingga pesawat terpaksa patah balik - Foto fail
WALAU sudah diberi amaran berkali-kali oleh pihak berkuasa, masih ada penumpang pesawat komersil yang tidak bertanggungjawab membuat ‘gurauan bom’ sehingga mengganggu jadual penerbangan.

Sehingga Mei lalu, lapan kes kesalahan menyebut perkataan ‘bom’ di lapangan terbang direkodkan pada tahun ini di Lapangan Terbang Antarabangsa Kuala Lumpur (KLIA) dan klia2, lapor BH online.

Berikut merupakan antara insiden yang berlaku di beberapa lapangan terbang tempatan setakat ini:

27 Ogos 2014

Lokasi: Lapangan Terbang Antarabangsa Sultan Abdul Aziz Shah Subang
Penerbangan: Malindo Air (Subang-Pulau Pinang)

Penerbangan ditangguh selepas seorang penumpang menyebut perkataan 'bom' ketika pemeriksaan. 37 penumpang yang telah menaiki pesawat diarah turun sebagai langkah keselamatan.

3 Disember 2015

Lokasi: KLIA
Penerbangan: Air China (Kuala Lumpur-Beijing)

Seorang broker insurans bergurau dengan anak kapal bahawa bagasinya berisi dua butir bom. Warga China itu dijatuhkan hukuman penjara lima hari dan denda RM7,000 atau lima bulan penjara oleh Mahkamah Majistret Sepang.

12 Januari 2016

Lokasi: Lapangan Terbang Antarabangsa Pulau Pinang
Penerbangan: Lion Air (Pulau Pinang-Kuala Lumpur)

Seorang wanita warga Indonesia mendakwa ada bom dalam bagasinya ketika pemeriksaan dijalankan. Walau mengaku sekadar bergurau, dia tetap ditahan polis dan disiasat di bawah Seksyen 506 Kanun Keseksaan kerana ugutan jenayah.

18 Mei 2016

Lokasi: Lapangan Terbang Antarabangsa Sultan Abdul Aziz Shah Subang
Penerbangan: Subang-Singapura

Sebuah pesawat komersil berpatah balik selepas menerima panggilan ancaman bom. 30 penumpang dan empat anak kepal disiasat namun tiada bom ditemui.

21 Julai 2016

Lokasi: Lapangan Terbang Antarabangsa Kuching
Penerbangan: Kuching-Kota Bharu

Seorang anggota tentera itu mendakwa membawa bom dalam beg dan memberitahu kakitangan syarikat penerbangan dia akan meletupkan pesawat. Unit pemusnah bom menyiasat dan tiada bom dijumpai. Yang ada cuma pakaian, kek lapis, dan ikan terubuk.

22 Julai 2016

Lokasi: Lapangan Terbang Antarabangsa Pulau Pinang
Penerbangan: AirAsia Indonesia (Pulau Pinang-Jakarta)

Pasangan suami isteri warga Indonesia bergurau mempunyai bom di dalam bagasi mereka menyebabkan penerbangan tertangguh dua jam. Mereka dihadapkan ke Mahkamah Majistret Balik Pulau dan didenda RM1,000 atas kesalahan tersebut.

14 Ogos 2016

Lokasi: Lapangan Terbang Antarabangsa Kota Kinabalu
Penerbangan: Kota Kinabalu-Kuala Lumpur

Seorang penjawat awam disiasat polis selepas bergurau bagasinya berisi bom ketika mendaftar masuk. Tiada objek mencurigakan atau bom ditemukan dalam bagasi suspek selepas siasatan dilakukan.

16 Ogos 2016

Lokasi: Lapangan Terbang Antarabangsa Melaka
Penerbangan: Melaka-Pekanbaru

Penerbangan dari Melaka ke Pekanbaru, Indonesia tertunda selama dua jam selepas pekerja di kaunter jualan tiket mendakwa terdengar perkataan bom dalam perbualan antara sepasang suami isteri.

Apabila pihak polis Melaka Tengah tiba di lapangan terbang untuk membuat pemeriksaan dan tidak menjumpai sebarang bahan berbentuk letupan, penerbangan tersebut dibenarkan untuk berlepas.

#⃣ *BI1Msia*🇲🇾
#⃣ *NENEKKEBAYANCHANEL*👵🏻




Group Kolektor Kartun Malaysia





Group Kolektor Kartun Malaysia (KartUnited) ini diwujudkan adalah bertujuan untuk bertindak sebagai platform atau alternatif kepada kolektor untuk saling bertukar, berjual beli atau berkongsi koleksi kartun masing-masing. Tak kiralah dalam bentuk apa pun. Yang penting ianya 'berasaskan' kartun... majalah, komik, buku, keratan akhbar, t-shirt... Promosi produk dan event kartun adalah amat dialu-alukan. Di samping dapat saling kenal-mengenali antara kolektor dengan lebih akrab.

I'M Singles Awards










Ayda Jebat












Simple Plan - Taking One for the Team Tour Singapore



The voice of a generation, Simple Plan is returning to Singapore for their “Taking One for the Team Tour Singapore 2016.” This tour comes on the back of their newly released studio album “Taking One for the Team” – the French-Canadian pop punk band’s fifth since their formation in 1999. 

Ticket Price: Standard $138 / Door $158
Tickets available at http://www.sistic.com.sg/events/csimple0916

Follow IMC Live Group and our Instagram @imclivegroup for more concart news!
https://www.instagram.com/imclivegroup/
http://imclive-group.com/

Scorpions - 50th Anniversary Tour - Live In Singapore



Celebrating 50 years of rock, LAMC Productions is proud to welcome continental Europe’s most successful rock band, Scorpions to Singapore on their 50th Anniversary World Tour on Friday, October 21, 2016, 8pm at Suntec Singapore Convention & Exhibition Centre!

For this milestone show, Scorpions have built a career-spanning setlist of Scorpion's hits, anthems, ballads and vintage classics.

Scorpions’ 50th Anniversary Tour, features longtime members Klaus Meine (vocals), Rudolf Schenker (guitar) and Matthias Jabs (guitar), alongside James Kottak (drums) and Paweł Mąciwoda (bass).

Panic! At The Disco - Live In Singapore



BREAKING NEWS!
Panic! At The Disco - 16 August, 2016, 8:00 pm
Suntec Singapore Convention & Exhibition Centre

Panic! At The Disco Meet & Greets!
Contest #1 Winner: Qistina Iskandar
Contest #2: Details at http://bit.ly/1UyOmFz

Standard tickets:
S$148 (Standing)
S$148, S$128, S$118, S$108 and S$98 (Reserved Seating)
http://sistic.com.sg/events/panic0816

Pre-sale: S$138* (SOLD OUT)


*All Pre-sale ticket buyers will receive an exclusive limited edition Mystery Gift and Priority entry into the concert venue!

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Bom di Airport Kota Kinabalu


Laporan awal tangkapan Anggota Tentera oleh PDRM Airport Kota Kinabalu kerana bergurau menyatakan ada bom dalam beg bagasi.
1⃣. Tarikh penangkapan: Pada 12 Ogos 16.
2⃣. Lokasi penangkapan: Kaunter A16 Airport KK Sabah
3⃣. Ringkasan Tangkapan: Pada 120855Hrs Ogos 2016. Anggota 115XXXX Kpl Mohd Ridzuan XXX XXXXX dijadualkan untuk menaiki pnrbangan MH2605 yg dijangka berlepas pada jam 1045 untuk menghadiri kursus Penyelia Pengangkutan Kls 1 di PULMAT. Semasa anggota berurusan di Kaunter A16, kakitangan MAS yang brtugas telah bertanya tentang salah satu kandungan dalam beg bagasi kepunyaan anggota tersebut. Anggota telah memberitahu dalam beg tersebut mengandungi bom dengan niat bergurau. Kakitangan MAS yang bertugas kemudiannya telah mengambil tindakan mmbuat laporan polis di Balai Polis Airport KK Sabah. Anggota kemudiannya telah dibawa ke Balai Polis Airport KK Sabah untuk siasatan pihak polis.
4⃣. Butiran penangkapan adalah seperti berikut:
. No. Ten, Pkt dan Nama :
115XXXX Kpl Mohd Ridzuan XXX XXXXX
. Pasukan : PALAPES UMS.
. TMT : 24 Jun 2005.
. TTP : 23 Jun 2020 (15tahun).
. Tarikh Lahir : 27 Jul 84.
. Bangsa : Melayu.
. Agama : Islam.
5⃣. Siasatan kini sedang dipanjangkan ke IPD Karamunsing, KK Sabah. Untuk keputusan samada anggota akan ditahan reman atau dibebaskan dgn ikat jamin polis..

Publika Jazz 2016



Event: PUBLIKA JAZZ 2016

Date: 26 and 27 August
Venue: The Square (8pm to 12am), Black Box (8pm to 11pm), The Bee (9pm to 11pm), The Social (12am)

FREE ADMISSION

Malaysia's Largest FREE Jazz Festival
Held over two-days at four different venues within Publika, the annual Publika Jazz is held to celebrate the 5th Anniversary of Publika that featured both local and international jazz musicians.
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AUGUST 26
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THE SQUARE (8PM to 12AM)

The Groove Messengers
The Groove Messengers is founded by one of Malaysia’s promising and talented drummer Bob Skunjas. He is also the backbone of the band Fieldplayers as well as playing for Jesseltone, Tilu some of Malaysia’s top artists in the Jazz scene with such as Amirah Ali, Patrick Tebrack, John Dip Silas and Albert Yap.

Kirana Kay and Her Associates
A vocalist that performs authentic Jazz, Pop Rock, Traditional Malay, R&B and Soul. Compatible with contemporary genres, Kirana is a regular feature at Kuala Lumpur’s entertainment industry. A gifted vocalist with wide array of modern contemporary repertoire, she won the Juara Bakat Pencarian Media Hiburan 2014.

Abdul and The Coffee Theory (Indonesia)
Abdul and The Coffee Theory is the name used by a full name Tengku Abdullah Amin Mohammed Ashari to work in the world of Indonesian music. Abdul, who was born 18 April 1983 is famous for the unique vocal character and very fit combined with easy listening music Abdul nuanced pop jazzy style, making all his work draws from all sides. Not only offers easy jazz and pop songs wrapped typical jovial folk essence, Abdul also made the lyrics are very unique, intelligent and relatively smooth, so for those who hear must feel 'I Banget!'. The concept of the band is represented by the name of The Coffee Theory (although this name is actually intended for people in the neighborhood close to Abdul who likes coffee) are expected to give freshness Indonesian music world today. Abdul is now very well known in the music industry as a producer and song writer, among his works have been performed by soloist/group of talented in Indonesia as Andien, Nina Tamam and 7 icons.

Keithen Carter (USA)/Frank Hergott (France)/Koh Saxman (Thailand)
Keithen Carter is a versatile singer and lyricist from the USA, he studied Art at Chicago Art Institute, where he developed a talent for writing songs and performing. He then went on to become a recognised Artist and has also proven himself as a theatre actor on the Chicago stage in a variety of roles. Keithen Carter has worked with artists as diverse as soul music’s Curtis Mayfield, jazz virtuoso Stanley Clarke and pop diva Madonna.

Frank Hergott started playing the piano at the age of 9 years and familiarize himself with different directories (classical, gospel, jazz). Youngest of a large family, his listening very eclectic music (60's to 80's) that his sister and brothers listen. This wide range of artistic influences was decisive in his musical career and his passion for composition. After getting his price of classical and jazz piano at the Conservatoire de Strasbourg, he continued his studies at the Berklee College of Music in Boston (USA). This study stay in the USA allows him to meet extraordinary musicians such as Jerry Bergonzi, Hal Crook, George Garzone, Ray Santisi, Alain Mallet, Laszlo Gardony, Ed Tomassi. He discovered the American method whose approach to art education is very pragmatic and structured.

Koh Saxman or Koh has been the familiar name to Thai audiences and musicians for almost 20 years as a saxophone artist who has done many recording works for many artists, as well as his own studio albums.
Koh was born in 1973, and graduated from Chulalongkorn University in Music Education (1991-1994), even though he had chosen Accounting as the first major for his education before changing to music field.

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BLACK BOX (8PM to 11PM)

Az Samad and Samantha De Lune
Az Samad - Guitarist-Composer-Educator Az Samad has been performing internationally for the past 19 years, across the United States, Europe and Asia. Blending his classical guitar training with his harmonic sensibility from his jazz pedigree, Az’s jazz guitar renditions are both sophisticated to experienced jazzers and accessible to the general audience. His compositions have been described as “at times playful and irreverent, and at other times lyrical and soulful, but always inventive, tastefully crafted and beautifully nuanced — an absolute pleasure to listen to.”

Samantha De Lune - Today at twenty-three, she has under her belt performances at klpac, Penang Jazz Island Festival, advertisement jingles, launch parties and more. Having briefly studied under the tutelage of Broadway veteran Michael Parks Masterson, her warm and smoky vocal timbre is distinct and a refreshing alternative from the norm.

Janine Annice (UK)
Janine Annice has been steadily carving her name into the very fibre of London’s underground music scene. Born and bred in the UK capital, where life is a fast, bright spectrum of intensity and emotion, she draws from her experiences with vocal versatility and a rare depth of range. Lending her talents to a multitude of genres ranging from alternative R&B and Chillwave to Jazz, she is creating a demand as a credible singer-songwriter on the circuit. Following the footsteps of the greats to grace the stages of the best venues; Cecil’s Speakeasy in London Bridge, and the world famous Hard Rock Cafe, her shows always leave her audiences clamouring for more. Currently wrapping up her debut EP “Signs of Life”, produced by French-Italian producer Pietro Caracciolo, Janine is working with the best young producers and musicians the city has to offer, such as Flowzart and Alex Dixon and the band “ATBS” to bring to fruition exciting new developments.

Tilu (Malaysia/Indonesia)
For those of you unfamiliar with Tilu, they are a band consisting of Malaysians and Indonesians who came together to cultivate their mutual love for music. With catchy tunes and fun chemistry on stage, you can’t help but want to know more about them. So here’s a peek into the band. Tilu starts with three young kids who just love to play music together while improving their music playing techniques through exposure to different musical genres such as jazz, R & B and funk. From a three-piece band they have expanded to a six-piece band. They’ve gathered quite a reputation as a young local jazz group. They have released a full-length album under KRU Studios. Tilu means “3” in bahasa Sunda and they are an experimental, jazzy, love-pop band consisting of eight members. The music of the band is an extension of the members themselves, which is to add some colour into the local music scene. Tilu believes in making music that makes people want to stop wars and just get intoxicated by love, peace and freedom.

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THE BEE (9PM to 11PM)

Hazel Leong
Hailing from Penang, Hazel started her musical journey behind a drum set where she used to play in rock bands and then gracefully transitioned into the girl with that lovely voice behind the microphone. Her passion flares for singing as she discovers herself comfortably expressing her soul in the form of vocal art. Hazel no stranger to the local music scene. She has experienced playing in different bands as well as performing in various venues, cafés as well as music festivals in and out of Penang. Now she’s set to tantalize your music taste buds with Hazel's alluring jazz vocal tone.

Bihzhu
2013 Voice Independent Music Awards “Song of the Year” winner and “Vox-Pop Winner” in the Cabaret Song category for the USA-based 12th Independent Music Awards, the Penang-born Bihzhu is known for her rich, soulful voice and rapturous performances. An emerging songstress with a host of high-profile shows under her belt, she most recently returned from a 3-city tour of China, and continues to enchant audiences, from intimate acoustic concerts to music festivals in all around Malaysia, Indonesia, South Korea, China, and Australia. Her latest single 'Bright Veins' bubbles with positivity and follows in the tradition of her hit single 'The Heart Way', which was her contribution as one of the featured artists in Julie’s Biscuit’s nationwide Share The Love campaign in July 2011. The infectious and smile-inducing folk-pop gem, was also chosen for a Penang Global Tourism ad featuring the famed shoe couturier Jimmy Choo on the Asian Food Channel that aired for 14 weeks in 10 different countries. In 2013, Bihzhu started the #CribConcert series, a monthly show that paired the intimacy of a house concert with the technology of live streaming, where a different guest artiste and Bihzhu herself would stage a private concert from the comfort of a home of hosts like popular radio DJs Kavin Jay, PM Wang and others, while broadcasting to a worldwide audience from Malaysia, UK, USA, Australia, UAE, Phillippines, Indonesia, Thailand, and Singapore.

THE SOCIAL (12AM)
Jamming Session with Publika Jazz All Stars

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AUGUST 27
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THE SQUARE (8AM to 12AM)

Aina and The Ground Passengers
Aina, is currently a music student in UCSI University, majoring in Contemporary Music Degree in Voice. Aina’s talent was discovered in the early years of her primary education. Since then, Nurul has competed in various singing competitions in and around her hometown of Negeri Sembilan. The first singing competition that she joined was Sayembara Puisi in which she grabbed the grand prize. Despite having shows and performances, she continues to participate in various singing competitions. She won first place in Golden Voices of PJ 2012, second place in Bintang Idola Berita Harian 2011, finalist of Bintang Irama 1 Malaysia RTM 2010 and more state singing competitions. Recently, she managed to grab the title of Senior Vocalist Champion Of The World in World Championship of Performing Arts (WCOPA) held in Los Angeles. Meanwhile The Ground Passenger consists of Terrence Ling on drums, Jack Lim on keys, Ken Chung on bass & Chee Seng on guitar. Together they’ll accompany Aina Abdul for an interesting night of jazz fusion.

SIEL (Indonesia/Philippines/Portugal)
It is the release of their debut album ‘Deep Affection’ that will mark their true musical introduction to the universe, adopting a more Soul, R&B and Smooth jazz sound. Mohd Ritman (guitarist) and Steve Evans (keyboardist) decided to gather a group of the finest session musicians and form a band. The line-up has evolved over the years with lead singer Cathy Suello, drummer Stan Calvin and bassist Ricardo Ranito. Siel is comprised of musicians from Philippines, Indonesia and Portugal. In early March 2015, Siel recorded their first album, and their debut CD project ‘Deep Affection’ was released in February 2016.

Zahid Ahmad Project
Zahid Ahmad was born in 1966. He first discovered his talent at a very tender age of 10 years old. In 1978, he initiates his first album entitled “Degil” with a group called Spilt Times. Later became the co-producer and rhythm arranger for Zainal Abidin debut album “Hijau” that became best-selling album in Malaysia and co-producer and rhythm arranger for Zainal Abidin 2nd album “Gamal” that was released worldwide. Covering from ‘joget’ to jazz and all the colours and spices of the other side of Malay music, the Zahid Ahmad Project (ZAP) showcases a new style of Malay traditional jazz inspired by traditional rhythms and resonance that will give music enthusiasts a totally new experience of Malaysian music.

Alonso Gonzalez Latin Jazz Quintet (Colombia)
Alonso Gonzalez is catalogued by musical critics as modal of the Latin percussion in the Asian, European continent and South America. He has added to his quintet elements fused from Africa, Latin American, and the Caribbean, inspired by the groove and sounds of instruments like the Bomba from Puerto Rico, the African Dun Dun, the Guaguanco Cubano, the calypso, and certainly flavours from Caribbean of Colombian. All that follows the format of the Afro-Latin Jazz, showed in a simple way for a better appraisal of the virtuous sounds of the Artists in scene. Alonso and Jazz Latino brings to the World the Compostura, a groove fused with the cells of the Afro- Latin, African and Caribbean folk interpreted in a singular way with his renewed quintet, all of them with Colombian nationality and living in Bogotá.

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BLACK BOX (8PM to 11PM)

Hady Afro Trio
Hady took his first musical steps at the age of 8th, by learning the piano from his father; it wasn’t until he was 17 that Hady’s father taught him to play classical guitar, theory and how to read music. It was at that time that Hady discovered the classical music, thus beginning a love affair with classical guitar. Over the next few years he honed his skills as a guitarist, developing a unique style that was an amalgamation of his ever expanding musical tastes. In 2004, he furthered his studies and has obtained a diploma in mid-year 2008 and recently graduated with a Bachelors Degree majoring in Classical Guitar and Music Arrangement in mid-year 2012 at National Academy of Arts Culture and Heritage. In principles ASWARA focusses on the dicipline of music, arts and culture. Hady is also known as ‘Hady Afro’ was interviewed by MIRROR Magazine as a role model for Malaysia Youth on Unity association for 2011 and about winning the 1st runner up for 1st Malaysia Inter-national Guitar Festival and Competition 2007. Wanting further inspiration, his inpiration comes from the great masters such as Andres Segovia, John Williams, Julian Bream, and Luis Salinas.

Lawrence Wright Jazz Ensemble (US/New Zealand/Malaysia)
Lawrence Wright was once considered one of the great jazz musicians of his era. His understanding of music was profound and he knew how to reach the people. Unfortunately, he never found major success and was forced into early retirement. This quintet is proud of the Lawrence Wright legacy and have chosen to carry his name forward by recreating something he never got to, a jazz quintet featuring some of the best talents in Asia. This show will consist mostly of his exciting music and the thought provoking themes that centre around his controversial departure from jazz. We hope you will enjoy their presentation as the Lawrence Wright Jazz Ensemble.

Evie Fernandez
At barely 24 years of age, Evelyn Feroza Fernandez, fondly known as Evie is relatively fresh in the professional music scene. Although very much into current favourites like Bruno Marz, Ed Sheeran, Pink and even Amy Winehouse, this soulful young lady refers to herself as an old soul, for she finds her greatest inspiration from old greats including Ray Charles, Etta James, Ella Fitzgerald and Shirley Bassey. Just like her idols, Evie does not believe that any song should be sung in vain. Which is one of the possible reasons why she has been making waves around local pubs, mesmerizing listeners with her heart-felt renditions of blues, jazz and classic rock . She’s known to touch her listeners’ hearts deeply.

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THE BEE (9PM to 11PM)

Tasha Aleia
Tasha Aleia is a young and fresh new talent who brings her own style of pop, soul, RnB and a hint of funk with bags of energy to the stage. The upcoming artist has a unique and eccentric style along with her soothing and sultry vocals. Known for her energetic live shows, Tasha Aleia now performs with a collaboration of 4 young dynamic individuals backing her up on the keyboard, guitar, bass and drums. Her sound references a swath of influences–– from Tori Kelly, Joss Stone, Bluey Robinson to of course, the top influencer Queen Beyonce herself. With their unique chemistry, Tasha Aleia has performed at multiple corporate events and public gigs including her own featured night at No Black Tie, Merdekarya, The Bee as well as Laundry Bar. She has won numerous competitions (including band competitions) one where she, along with her bandmates represented Malaysia and competed internationally in Ho Chi Minh, Vietnam for the Rock & Pop Soul Competition and took home the runner up title last August 2015. She also recently won the Soulfest competition– headlining the main stage of Soulfest Asia joining the likes of Mary J Blige, Omarion and Jhene Aiko! Tasha Aleia was also invited to perform at Air Asia's 14th Anniversary Party early January 2016 at KL Convention Centre and even got to share the stage with the one and only surprise international guest, Ne-Yo!

Sasa and Friends
You may have heard of her from Crinkle Cut, a band that plays songs with their own music rendition, or Dotters' Division, where she rocks out with an electric guitar. Melissa Sasa has been out in the scene for years, performing in various music festivals, concerts, corporate functions, weddings, appeared in radio shows and even recordings for commercials and voice-overs. She also sings back-up for Aubrey Suwito and is known as a versatile singer. This year, she decided to go solo, covering songs of various artists such as Hiatus Kaiyote, Emily King, Kimbra and more. Of course, she also hopes to create her very own music and albums in the future.

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THE SOCIAL (12AM)
Jamming Session with Publika Jazz All Stars

Ezad Lazim Ditahan Wad



Semoga @ezadlazim cepat sembuh! Kuat semangat, bro! 
.
#rakushares via @zeanaramli

Hez Hazmi Meletup

Jumali SanoTri

NegaRAKU Tour 2016

Tres Empre



Tres Empre is a Malaysian post-hardcore band from Kuala Lumpur. Formed in late 2010 , Tres Empre was founded by Vocalist Eddie Edzuan & Guitarist Azrul Aziz, they was joined by Bert(bassist),Bazz(guitarist) and Masrour(drummer). Tres Empre has released one EP entitled "Division Of Dreamers" . Tres Empre now will be releasing their debut album entitled "Antagonist" this October 2014.

Had shared the same stage with; Underoath, Circa Survive, Architects(UK), You Me At Six, Crossfaith in Kuala Lumpur, Malaysia

They Will Kill Us All


  • Genre
    Indie / Experimental / Pop
  • Band Members
    Edwin Raj
    David Leong
    Amir Shazlan
    Ihsan Ariffin
    Herwandi Saat
  • Home Town
    Kuala Lumpur
  • Record Label
    Super Stellar Sound Recordings
  • Short description
    Album available in stores around Malaysia & downloadable via ITunes worldwide
    https://itunes.apple.com/my/album/they-will-kill-us-all/id685603780
  • Bio
    #thevultureiscoming
  • Current Location
    Kuala Lumpur, Malaysia
  • General Manager
    Arif Ramly
  • Influences
    are light lighthouses, they guide us but we steer the ship on our own.
  • Band Interests
    we are total gear maniacs.
  • Press Contact
    press@theywillkillusall.com
  • Booking Agent
    bookings@theywillkillusall.com